Nick Cook – A Ramble Through an Oxford Author's Imagination and Inspiration

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Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts
Blade Runner and Blade Runner 2049 - A Sci-Fi Masterclass
07:06

Blade Runner and Blade Runner 2049 - A Sci-Fi Masterclass

My all-time favourite movie since its first release in 1982 is Blade Runner. From that first moment of the opening credits where a craft is flying over that landscape of industrial towers spurting fire into the sky and backed by the haunting soundtrack of composer Vangelis, I was totally hooked. Even to this day I still remember the sense of awe that film invoked in me the first time that I saw it.
Like many who adore Blade Runner, I have seen all the edits and director cuts of that original film. But for me, the original version was already superb.

I will never ever forget the power of one moment in that film in particular.  It's often referred to as the Tears in the Rain speech. In it, Batty, the replicant that Deckar has been hunting down, utters these immortal words... “I've seen things you people wouldn't believe…” The speech that followed was actually written by the actor who performed them, Rutger Hauer. Some things in life are destined to leave a lasting impression on you, footprints in your soul if you will, and this was true for me with this short but beautiful soliloquy. Haunting, moving, and utterly poignant.


I can't talk about Blade Runner without mentioning its special effects. When I saw it all the way back in 1982, I was already a huge fan of 2001 – A Space Odyssey, a movie which blew my mind at the tender age of ten when I first saw it. But it was Blade Runner, made long before the advent of serious computer graphics that visually was a stunning tour de force. The pivotal designer responsible for the look of the film was the incredibly talented Syd Mead who sadly recently passed away. A highly proclaimed industrial designer and neo-futuristic concept artist, Syd was the person who created that grungy neon-lit sprawling urban metropolis look, a combination of Hong Kong meets New York with a futuristic spin. Even today his vision for the movie feels like a real glimpse of a possible future for our world. And it was Syd who also designed the iconic flying cars that still haunt my imagination. Certainly, as a teenager when I first saw Blade Runner, someone who ate, breathed, and slept science fiction, his design style spoke deeply to me.

Of course, there's been plenty of analysis of Blade Runner over the years and I'm not going to be unearthing anything new in this piece. Yes, Blade Runner is ultimately a film about what it is to be human and how that line may be blurred in the future. However, it's a comment from the director of the sequel movie, Blade Runner 2049, Denis Villeneuve, that for me was something of a lightbulb moment for me.

In an interview, Villeneuve stated that Blade Runner and his own sequel Blade Runner 2049 were ultimately movies about loneliness. When I read that, it was like being handed a new lens to examine that original movie through. Suddenly I saw Harrison Ford's character, Deckar, in a new light – a man alone in a dystopian world. And then in the film, he meets Rachel and forms an instant connection. Of course, the irony is that Rachel is a replicant too and which leads to the ultimate internal conflict for Deckar.

It’s this theme of loneliness that I think Blade Runner 2049 deals with superbly. Yes, the idea of an AI holographic projection becoming a lover is maybe pure fantasy, at least with current technologies, but maybe one day aspects of that vision will come to pass. However, can technology ever be the real answer to human loneliness? Sometimes technology can actually exasperate the problem. That's certainly the flip side of social media that's meant to enrich the connection between people, but has left many feeling increasingly isolated. It could even be argued that social media has helped to reinforce a society where people don't talk to their neighbours, such as the seductive nature of the black mirror that they hold in their hands.

The script for Blade Runner was based on Philip K Dick's story, Do androids Dream of Electric Sheep. I actually read that story long before the first film was released. Although that short book is a great one, I personally think the script behind the movie elevated that story to an extraordinary level.
The original Blade Rubber is still probably my favourite version of all the edits because it used Deckar's character for a voice-over. The irony is this was a knee-jerk decision by the film's backers who were worried about its early screen testings with audiences. However, I actually think Deckar's voice-over made that version of the movie feel more like a book. Also, apart from being a storytelling device, it also tapped into by classic film noir movies feel that often featured a detective talking over the film. That's not to say that the later versions of Blade Runner without it didn't work, just for me it gave that first version of the movie a truly magical feel.


When I first heard they were making a sequel new movie, I was more than a little bit worried. After all, how could they follow up on one of the greatest sci-fi movies of all time? But I needn't have worried because Blade Runner 2049 is without doubt also an extraordinary piece of moviemaking. Ross Gosling's performance is excellent in the movie and is a perfect adjunct to Harrison Ford’s reprisal of his Deckar's character. Blade Runner will probably always be my number one movie, but now it’s been joined by Blader Runner 2049, an astonishing companion piece to the original film. The soundtrack penned by the ever-talented Hans Zimmer and who I'd love to score the film version if any of my books hit the big screen one day, was breathtaking and frequently echoes musical refrains from Blade Runner. Like Vanegellis's original soundtrack, Zimmer's compositions frequently elevates the film to mesmerising heights.


So what did you think of either movie? Loved them, hated them, or somewhere in-between? If you are a fan were there any particular moments that really stood out for you from either movie like the tears in the rain scene did for me? I’d love to hear your thoughts, so do please leave a comment below.

Finally below for you to watch is the famous Tears in the Rain scene. As you'll see it's just as poignant today as it was when it was first made.



"I've seen things you people wouldn't believe.
Attack ships on fire off the shoulder of Orion.
I watched c-beams glitter in the dark near the Tannhäuser Gate.
All those moments will be lost in time, like tears in rain.
Time to die."

– Batty's Tears in the Rain speech from Blade Runner




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War of the Worlds Experience
04:48

War of the Worlds Experience

“No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water.”

― H.G. Wells, The War of the Worlds

My wife Karen and I headed into London to see the new War of the Worlds Experience based on Jeff Wayne's album.

We didn't know quite what to expect but as a fan both of H.G Wells original book, the great 50's movie adaption and indeed Jeff Wayne's great album, we headed into it with high expectations.

So what's it like you're probably wondering. I'll try to write this without revealing any plot spoilers...



To start with the experience is based in the Old Metal Exchange in London and through the two hours that you're in there, you move through multiple locations as the story unfolds around you. Great use is made of screen projection holograms along with amazing sets. But the absolutely standout element for us were the actors who brought everything to life. The nearest thing to this would something like Secret Cinema that combines live actors and film. However, The War of the Worlds goes beyond this in one key area, the use of VR.

There were many occasions where we donned the headsets, toppers as they were referred to by the actors, and were dropped into the virtual alternative world of H.G. Well's imagination with the Martian war machines towering over us and Big Ben at one point!

Now as you may know in my former life I worked in the games industry as an art director and artists, so this is something I know a reasonable amount about.

The state of current technology means that the virtual locations aren't photo-realistic by any means. Give the technology another five to ten years and we may be approaching that point. But despite the limitations of the current tech, The War of the Worlds Experience really managed to create an immersive experience.

One area that worked really well with the VR was one of the earlier locations where you are physically moving around a location wearing the topper and a backpack. This hugely enhances the experience, particularly as you can see the other members of your team moving around with you. However, the tech isn't without its problems and bugs such as where the characters' legs briefly took on a life of their own like a mad Irish jig gone wrong or the VR world temporarily glitching out to reveal the landscape grid. These aspects obviously need to be ironed out, but that aside overall the experiences worked really well.



Another highlight was the observatory where you see a Martian machine has crashed landed on the common. The actor in this area was superb and really brought it to life. We then had to take shelter in a house and were just sitting down to some biscuits with the maid when the lights went out and... Well, I'll leave that part to your imagination.

So all in all, a truly ambitious production that has a few kinks to be sorted, but in every other way is a truly unique experience and blazes the way towards an exciting new area of entertainment.

Do I recommend it...well if you're a gamer you may be disappointed by the VR as it's not state of the art and has some bugs. But if you can mould your expectations accordingly, you'll have a fantastic time.

Let's put it this way, I've been getting flashbacks all week since experiencing it and I mean that in a good way! This truly is a new form of entertainment that takes things to the next level. Just don't blame me if you and you start to dream of Martian invasions machines invading our world.
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Voice from the Clouds – Episode 4 – An Interview with Niel Bushnell
09:24

Voice from the Clouds – Episode 4 – An Interview with Niel Bushnell

Grab a cup of your favourite beverage and watch my latest Voice from the Clouds vlog, where I interviewed Niel Bushnell about his fantastic new book, Arkship Obsidian. Niel is a very successful traditionally published author who has decided to make the leap across to indie publishing. I really enjoyed this interview and and I think it reveals some real insights into Niel's writing process and the inspiration behind his work. We even briefly discuss the new Star Trek. What’s not to love.

For more info about Niel, his website is here: http://www.nielbushnell.com

Arkship Osidian can be found here: On Amazon



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Voice from the Clouds - Episode 3 – The New Adventure of Indie Publishing
08:27

Voice from the Clouds - Episode 3 – The New Adventure of Indie Publishing


New horizons beckon for me with my latest vlog with a bit of a major announcement about the future publication of my books. I have decided, for so many excellent reasons, and inspired by other authors who have already made the leap from traditional publishing very successfully, to launch myself into the world of self publishing.

This is a steep learning curve, but I'm having the time of my life. Watch my latest blog episode for more about this decision and part of my reason why.



All images copyright Nick Cook.
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To Gaze into the Future
22:52

To Gaze into the Future
“In science fiction we dream.”
– Ray Bradbury
Science fiction has existed in one form or another in our world for a long time. The history of the genre is contested, but many believe that the fantastical Sumerian poem, Epic of Gilgamesh (2150-2000BC), filled with gods and even the search for eternal life is one of the earliest examples.

For me though, the modern era of science fiction was heralded in by the stories of H.G. Wells. The Time Machine, The Invisible Man, The First Men on the Moon, War of the Worlds and many, many others are a testimony to the great imagination of the man. His work transported his readers into an often scary vision of the future, quite literally in the Time Machine. In that story, part of humanity has evolved into Eloi, a simple peace loving people. However, the rest have become the Morlocks, creatures that live underground and farm the Eloi like sheep to feed upon them. The original cinema adaptions of this film caught my young imagination but it was the original War of the Worlds that scared the bejeebers out of me!

So why is that science fiction has continued to grow in popularity, both in books and in films?

Science fiction examines the effects of change upon on us, often sweeping in nature, where sometimes the future of humanity hangs in the balance. And if we have ever needed to hear this message it is especially important to hear during this age of rapid technological progress that we currently live in.

I was lucky to grow up during a very rich period of science fiction, where the works of Arthur C. Clarke, Isaac Asimov, Larry Niven, and Philip K Dick, created worlds that flooded my imagination with astonishing visions of the future. And maybe that’s another reason that great science fiction resonates so strongly wth us today because, through it, it’s one way that we can peer into the possible futures that we are already speeding towards.

Authors like Arthur C. Clarke had a seer like ability to gaze into the future. In 1948 he famously predicted the invention of communication satellites. We are still waiting to see whether his predictions made in 2001 come true: that in 2030 artificial intelligence will reach human levels and in 2100 humanity will invent the space drive that will enable us to reach other stars. On that prediction, Clarke wrote, “History begins…”

Of course science fiction is often filled with bleak warnings, from the robots of Terminator to the AIs most famously represented by HAL in 2001 that killed its crew.

But it isn’t all bad news. Sometimes science fiction suggests potential solutions. Isaac Asimov in his I Robot series came up with the three laws of robotics to prevent our creations from doing us harm:

(1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.

(2) A robot must obey the orders given it by human beings except where such orders would conflict with the First Law.

(3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.

Maybe this same sort of approach could also be applied to artificial intelligence.

Science fiction can also raise philosophical questions. For example in Blade Runner the film based on the book by Philip K Dick (Do Androids Dream of Electric Sheep), it can be seen as an allegory that holds a mirror up to us, raising the fundamental questions – who are we, why are we here and what does it mean to be human?

Through science fiction we also are able to travel in our imagination to places we have never set foot on. This ties into my own work where I explore the theme of parallel Earths. The Martian by Andy Weir highlights the sort of challenges that we may face when we eventually travel to Mars. In Interstellar, our planet is experiencing a runaway climate change, forcing us to adapt by reaching out for the stars. These stories raise the what if question. They are also stories that tug at our exploring hearts, maybe reminding us of our own pioneering spirit.

To finish this article, I’m going to leave you with a clip with one of my all time favourite science fiction movies, Forbidden Planet. 

Filmed in 1956 and based on Shakespeare’s The Tempest, there is something truly special about the feel of Forbidden Planet. It’s a film that’s more than the sum of its parts, from wonderful visuals to the haunting (and first entirely electronic) film score. Whatever the magic is for me there is something unique about this film that’s always captured my imagination. And that’s maybe one of the most special aspects of science fiction, to ignite afresh that sense of wonder that's always waiting to be unlocked within us.

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